Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Jean Baptiste van Loo 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
79687		Augusta van Saksen Gotha	1742(1742) Medium Oil cyf
77970		Portrait of Augusta of Saxe-Gotha	Date ca. 1742(1742) Medium Oil cyf
83482		Portrait of King Louis XV	Date c 1727 cyf
80123		Portrait of Louis XV of France	18th century Medium Oil on canvas cyf
80156		Portrait of Louis XV of France	1728(1728) Medium Oil on canvas Dimensions 304 x 180 cm (119.7 x 70.9 in) cyf
78252		Portrait of Maria Teresa Rafaela of Spain	1740(1740) Medium Oil on canvas cyf
78738		Portrait of Pierre Carlet de Chamblain de Marivaux	1743(1743) Medium Oil on canvas cyf
78860		Portrait of Pierre Carlet de Chamblain de Marivaux	1743(1743) Medium Oil on canvas Dimensions 63 x 52 cm (24.8 x 20.5 in) cyf
79631		Portrait of Pierre Carlet de Chamblain de Marivaux	1743(1743) Medium Oil on canvas Dimensions 63 x 52 cm (24.8 x 20.5 in) cyf
78643		Portrait of Princess Augusta of Saxe Gotha	1742(1742) Medium Oil cyf
82906		Princess Amellia of Great Britain	1738(1738) Medium Oil on canvas Dimensions 125 x 97 cm (49.2 x 38.2 in) cyf
79315		Princess Augusta of Saxe Gotha	1742(1742) Medium Oil cyf
78247		Retrato de Felipe V e Isabel Farnesio	1743(1743) Medium Oil on canvas Dimensions 181 x 260 cm (71.3 x 102.4 in) cyf
28503		The Triumph of Galatea	mk60 Oil on canvas 35x45 1/2"
80835		William Frederick of Orange Nassau	1838(1838) Medium Oil cyf

Jean Baptiste van Loo

Flemish Painter, 1684-1745 was a French subject and portrait painter. He was born in Aix-en-Provence, and was instructed in art by his father Louis-Abraham van Loo, son of Jacob van Loo. Having at an early age executed several pictures for the decoration of the church and public buildings at Aix, he was employed on similar work at Toulon, which he was obliged to leave during the siege of 1707. He was patronized by the prince of Carignan, who sent him to Rome, where he studied under Benedetto Luti. Here he was much employed on church pictures, and in particular executed a greatly praised Scourging of Christ for St Maria in Monticelli. At Turin he painted Charles Emmanuel II, Duke of Savoy and several members of his court. Then, moving to Paris, where he was elected a member of the Acad??mie Royale de Peinture et de Sculpture, he executed various altar-pieces and restored the works of Francesco Primaticcio at Fontainebleau. In 1737 he went to England, where he attracted attention by his portrait of Colley Cibber and of Owen McSwiny, the theatrical manager; the latter, like many other of van Loo's works, was engraved in mezzotint by John Faber Junior. He also painted Sir Robert Walpole, whose portrait by van Loo in his robes as chancellor of the exchequer is in the National Portrait Gallery, London, and the prince and princess of Wales. He did not, however, practise long in England, for his health failing he retired to Paris in 1742, and afterwards to Aix, where he died on 19 December 1745.

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